The Invasion of the Free Books

As you know I am accepting books for reviews. But because most of the time I receive romance which I don’t read, I have developed a habit of downloading free books from Amazon and reviewing them. And you know what? At the moment I have nearly 100 free books in my kindle. And don’t forget that I stay away from anything with elements of romance; otherwise the number would be 1000 instead of just a hundred.

This is really crazy. The free books are attacking!

There are so many books out there that the writers keep offering their babies for free, hoping to hook the reader. I have not one, but two free books. And with this free book invasion I can’t believe how lucky I am for still selling books.

It seems that almost every first book in a series is offered free. Sometimes the sequels are put on a free promo as well. With so many free books being offered every single day many readers abandon books after the first few pages or chapters. I know I’m guilty of that. There was a time when I’d finish the book no matter how tedious it was. But there are so many books on my Kindle now, that I am committing an nonredeemable sin every once in a while. If the book doesn’t capture my interest after the 10-20% point, I’m prone to not finishing it.
This made me realize once again how hard an indie author’s life is. Our books can only dream about the marketing and promotion that traditionally published books get. And if you’re an awisl, then you almost have no chance. 

The only way to sell books today is… No, not giving it away for free, not writing as many books as possible in the shortest period of time, not cajoling and begging for reviews.

You need to hook your reader. You have just 5-10 pages to hook the reader. Start your story as soon as possible. Leave out the introductory parts. Throw away as many adjectives and adverbs as possible. It will make your story develop twice faster. No scenery descriptions. No descriptions of eye color or hair color. No purple prose. Tell the story. And be quick. Show the problem, then let your heroes search for the solution.

And one more advice. Be short. This might be arguable, so let’s say that it’s a personal thing. I advise you to make your first book short. But not novella short. The perfect length would be 200-250 print pages (50.000-70.000 words). My personal experience as a reader and reviewer is this: when I am offered a long book (300+ pages) from a newbie author, I am hesitant to accept it. I’d rather have a shorter book that will introduce me to the author’s writing style, story structuring and developing abilities, vocabulary; and if I like it all, I’ll happily purchase the rest of the books. Bombarding a reader with a monster of a book is not a very good idea. Newbie indie authors lack experience and often fill their books with unnecessary verbiage. Surely not always. There are some outstanding debuts, and many of them are pretty long. But the general opinion is that newbie indies aren’t very good. To dispel this belief, we need to give the readers what they want: a good story, without dragging it across the pages and boring our audience.

He said, She said

If you have read my review for Key Lime Die, then you know this post is about what not to do when writing a book. This is just my opinion, not a testament to good writing. The book was filled with an immense amount of telling instead of showing. 

But what irked me the most was how the characters were mentioned. In order to avoid using the protagonists’ names all the time the author used terms like "independent young woman,” “her practical daughter,” “the flabbergasted owner,” “her uber-responsible daughter,” “the beleaguered pie shop owner,” “the ill-mannered teen,” “the weary shop owner,” “the irate woman,” “the beyond-tired woman,” “the young woman,” “her well-intentioned offspring.” And the book was really short, so these substitutes were on every page. 

This wasn't just amateurish, this was irritating. It would be much better to use the names of the characters instead of searching for all types of substitutes. And the author wouldn’t have to worry about mentioning the characters’ names too often if she avoided using “he said, she said” all the time. 

Here’s an important tip to newbies: When there are two people talking you don't have to use the "he said, she said" all the time. You can rely on the reader's memory instead of reminding us who's in the scene. This book was filled with phrases like "Marilyn whispered," "Tiara suggested," "Marilyn sounded shocked," "Tiara thought aloud," “she sighed dramatically,” “the detective shook his head dismissively,” “her mother asked,” “she pleaded,” “she implored,” “she said, relieved that he had taken the call,” “she asked, a note of doubt creeping into her voice,” “her daughter replied, waiting for her mother,” “her daughter protested,” “Tiara demanded,” “she insisted, crossing her arms,” “he instructed, his gaze grim,” “she muttered, frustrated to no end,” “Tiara praised her mother,” “Tiara said, her voice filled with hope and optimism.”

There wasn't an instance where the reader wasn't told who was speaking. This is unnecessary. If there are just two people in the scene, don't tell your reader who whispered and who sighed every single time. And no need to tell them how each and every character felt when they said or thought something. Try to show your reader how your characters are feeling, not tell them that they are sad or full of hope or tired or panicking. Or else the irritated reader will have to abandon your book and look for a better author.

POV Switches

One of the most frequent mistakes newbie writers make is switching the POV (POV = point of view). 

They tend to start the scene from the point of view of one character, then suddenly switch to another character, then switch back, and forth, and so on and on. 

Example: 

Gary snatched his mobile and dialed Alex. It couldn’t be true, he was certain, yet he needed to hear it from Alexander, his friend of forty years. It’s not him, he was thinking, counting the seconds. It’s not him.

But as he heard Alex’s hoarse “Yes,” Gary hung up the phone. 

Alexander stared at the screen of his cell phone. It was Gary calling. 

Has anything happened? he wondered, hitting Gary’s number on the quick dial. After almost a minute he had to disconnect. Gary didn’t answer. Staring at the screen of his phone with Alexander’s name flashing across it, he was shaking with anger, with despair and fear. 

Why, Alex? he thought. Why?

We are with Gary in the beginning; we know what’s going on in his head; we see he has a problem. Then we switch to Alex, who is confused and wants to reach Gary on the phone. Then we go back to Gary again. I can assume that in a second we’ll be back with Alex. While a POV switch is not a big crime, it irks the reader. You only need to take a look at negative reviews to see that most of the time they refer to bad editing, silly storyline, or POV switches. Today’s reader wants to stick with one character throughout one scene. It’s alright to tell the story using the POV of different characters, but they will need their separate chapters.

However, you should not confuse limited POV with unlimited POV. The first is when the story is told from just one character’s POV. This can be done with first person narrative (I woke up to the warbling of nightingales. Was it possible? I went to bed in winter, but I sensed spring behind my window. How sweet, I thought. How fortunate.). Or with third person narrative (She was alone again, abandoned and friendless, her stomach a pit of emptiness, ready to consume anything edible or not. I am still alive, she thought. That’s what counts.).

Unlimited POV is when the narrative is not limited to one character: Rose was tired, but Kyle kept walking. Her legs were weary; his hadn’t lost half the strength. She was on the verge of crying, but he was determined to reach the base before the sunset. He couldn’t otherwise. Staying outside was perilous. Rose knew that too, but her body didn’t care. It needed rest.

This chapter has unlimited POV, meaning that we see what’s happening to Rose and Kyle at the same time, what they are thinking about, what they want. This is a dangerous route for newbie authors. And we reach an important question here:

Which POV to choose?

I advise the newbie authors to stick to limited POVs. It can be first person narrative or third person narrative, but let the POV be limited, i.e. we see the story through the eyes of one character at a time. If it’s a first POV narrative, then we will be in that character’s head throughout the whole book. But with a third person narrative you can let us see the story through the eyes of more than one character, at the same time you won’t make the mistake of abruptly switching the POVs, which irritates so many readers.

Also, limited POV lets you avoid very short explanatory chapters, when you take us into a secondary character’s head, because you need to clarify things for your reader. But because the character is secondary, you don’t have much to tell your reader and the chapter ends up short and awkward. This might be a bit challenging, as you’ll need to make the things clear through your one or two major characters, but it’s worth it, because your story will be solid, clear, and tidy.

No to Amazon Exclusivity

Experienced indies have long found out what’s best for them, but the newbie authors still ask this same question: KDP Select or No KDP Select? 

KDP means Kindle Direct Publishing. If you want to self-publish your book with Amazon, you register at KDP.com and upload your book. Fast and simple. But there’s also KDP Select. KDP Select gives you a few advantages, such as making your book free for 5 days, which is considered a smart marketing move. And if you think giving a book away for free is wrong, then think of the libraries. Yes, that’s right. There’s also the Countdown that comes with Select, when you put your book on a sale and the price slowly goes up during a 5 day period. Again, not a bad marketing trick. And the third advantage is the Borrows. When the book is in Select, readers can borrow it for free, while you still get paid. 

These are the Pros. And now the Cons. KDP Select means you cannot publish your book anywhere else at least for 90 days. After 90 days you decide to stay with Select or no, and if you do, you will have to wait for another 90 days to publish with other retailers.

I don’t use Select. I don’t like the idea of giving Amazon exclusive rights to publish my books. Some of my most devoted readers use Barnes and Noble. Some use iTunes and Kobo. There are other retailers too: Oyster, Smashwords, Inktera, PageFoundry. While they are not as powerful as Amazon, B&N, and iTunes, I want to have my books there as well. Because the more the better. Some authors swear by Select. I’m not one of them. I have made money with other retailers too. I haven’t been able to get that money yet (I’m working on it), but it’s not their fault, but of the payment methods and my country. I will tell about it sometime in the future.

So, here’s my opinion: I want my books to be on every retailer. I don’t like going exclusive with Amazon, no matter how mighty it is. Monopoly has never done good to any market, and I’m surely not supporting Amazon’s monopoly attempts. I love Amazon, I am grateful to Amazon, but I’ll use as many book retailers as I can. I advise you to do the same.

Why Do Authors Ask for Reviews?

If you’re an avid kindle reader and don’t shun away from indie books, then you might have seen the same request at the end of almost every book by an indie author: please leave a review. 

Many readers find this off-putting, but trust me, we don’t have much choice. Indie authors have to make that request, because indie authors need reviews. A lot. It’s not that we are review maniacs, or that we are star addicts. I couldn’t care less for reviews, and if I am going to read a book, instead of reading the reviews I’ll download the free sample and decide for myself if the book is interesting and needs to be purchased and read. I haven’t checked my reviews for a while, because, as wise people say, reviews are for other readers, not writers. That’s true. The book is out already, and the writers shouldn’t waste time trudging through the reviews. But indie writers need reviews like air. And here’s why: 

1. A writer writes a book. Now a writer needs to sell that book.
2. The book has to be promoted to have more or less good sales.
3. The best way to promote the book is with popular sites like Bookbub and Ereader News Today.
4. Popular sites do not accept books without reviews. 
5. The writer needs to ask their readers for reviews to be able to promote the book and make a living and write more.

 

 Seriously, the only way to help an author today is leaving reviews. If you don’t like long reviews, just make it a sentence or two about what you liked/disliked about the story, whether you’d recommend it to other readers, and if you’d like to read more from the author. Also, if you are a very supportive reader and want to read more by that author, you can always share the book on your social media. We are grateful folks and promise to write more for your enjoyment ;) 

Authors Writing in a Second Language

Have you seen my website already?

It's called AWISL: Authors Writing in a Second Language. Go visit it if you're an AWISL, too. Ask me anything about writing/publishing or send me your book for a review. And don't worry, I'm not giving less than three stars :)))

It's been a while I haven't read a good mystery. And I won't mind fantasy, too. And sci-fi. And of course horror. But please, No Romance. Can't stand Romance.

http://authorswritinginasecondlanguage.com

The Haunting of Hill House

Every horror-lover has heard of this book. A classic of the genre, praised by the likes of Neil Gaiman and Stephen King. Chilling, disturbing, blood-curdling.

Alright, I seriously think something is wrong with me. Because this book was neither chilling nor terrifying. And it was a real nightmare for someone suffering from ADD (attention deficit disorder). I admit that my ADD has reached unbelievable heights. Sometimes I read the same passages 2-3 times. Sometimes I read the words, but think of something else, and have to go back, over and over again. And this book was hard to follow. I wasn't always sure what was going on. It had good moments and was filled with psychological themes, offering an insight into a troubled mind, but I couldn't understand any of the characters' actions. They knew from the beginning that the house might be haunted, but each time something disturbing happened, their reactions were befuddling. Whenever they seemed to encounter a contact from the other side, they would giggle or laugh, or talk some nonsense. I didn't understand half of the dialogue. 

It was obvious from the beginning that Eleanor had serious psychological problems. She went from liking Theodora (another visitor of the house) to hating her in a second. She was disturbed and the house was swallowing her, but most of the time we saw her walking outside and wondering what others were talking behind her back. The other three characters weren't interesting at all. Theodora and Luke and the doctor were boring. Maybe it was because we saw them through Eleanor's eyes, but they were not interesting at all. There was a governess, a very curt woman, who never smiled or said anything more than necessary. But then she got engaged into a more or less nice conversation with a new guest. That was out of character and spoiled the book's atmosphere. Thus, I didn't really understand what it was: a psychological thriller, a story about ghosts, or a tale of madness. I was expecting so much fright I avoided reading it at night (especially after being attacked by a huge cricket), but this book wasn't scary at all. It was full of psychological moments, but it wasn't the horror story I had been expecting. Maybe I really missed something. And maybe one day I'll give this book a second try.vTime will tell.

Terminator (1984) vs Terminator (2015)

I've probably mentioned a few times that Terminator (1984) is my all time favorite movie. I loved Terminator 2: Judgment Day as well, but whatever came after doesn't even deserve to carry the same title.

And now, we're going to be served with another bastardized version that is Terminator: Genisys. Why, oh why? Surely for the money, but this looks so bad I wonder if it won't flop. And the cast! Who in their right mind did the casting for this movie? Emilia Clark aka Daenerys Targaryen as Sarah Connor? Really?

This is who Sarah Connor is:

She's strong, she's tough, she's a badass fighter who can stand against the whole world. Plus, Linda is outstanding as Sarah. Her face, her body, her voice, everything is so perfect. Also, Linda Hamilton is just a very good actress, which is hard to say about baby-faced Emilia and her wooden acting.

So the studio execs want to tell me that this is Sarah Connor?

Why does she always carry this same "I'm-a-little-lost-helpless-Targaryen-princess" look? Sarah Connor was young and scared in Terminator (1984), but she was never inept, and her voice didn't sound so weak and childish. I also can't say anything good about the new Kyle Reese. I can't remember the name of the actor, but for me, the only Kyle Reese is Michael Biehn.

Linda and Michael are the only Sarah and Kyle I want to know. Besides, Terminator is not just one of the best sci-fi movies in the world, it also tells one of the most beautiful love stories.

 

I won't be watching Terminator: Genisys.

Wicked Business

Another lesson I need to learn: do not trust the best-seller lists. If someone is a best-selling author, it means absolutely nothing. I know I'll be learning English all my life, and there's no better way than reading acclaimed authors, who are famous for their writing skills and vocabulary. So, when I saw that best-selling author Janet Evanovich's book was on sale for just $1.99, I thought I couldn't lose an opportunity to learn from her. She has so many bestsellers, she has to be great, right?

Right?

Title: Wicked Business

Amazon link: http://www.amazon.com/Wicked-Business-Lizzy-Diesel-Lizzie-ebook/dp/B0061C1N5W

This book was painful. So painful I had to force myself to keep reading. Do it, I told myself. Even if you don't like the plot, just keep reading it as a textbook. But that was hard. I have long stopped enjoying Stephen King novels, but I still read them as textbooks. But reading Wicked Business wasn't giving me anything. I wasn't learning anything, I wasn't becoming better, wasn't writing down new words into my notepad, wasn't stumbling upon great sentences. This book only wasted my precious time. Letting it abuse my mind, I reached the 50% point and knew I couldn't keep going. Nothing was happening. There were just some random characters talking, sleeping, eating, cooking, talking, walking, eating, shopping. I swear I'm not exaggerating. I know this was the second book in the series, but it's not like something was happening there, and I couldn't understand what because I hadn't read the first one. Absolutely nothing was happening in this book apart from talking, sleeping, eating, and talking again. But how is this even possible? How could this book become a best-seller?

There was a cat named Cat. There was a monkey named Carl. Sometimes they hissed and leered at each other. There were some women doing something. Yes, doing something. There was a Lizzy, who couldn't decide if she had to sleep with a guy named Wulf or a guy named Diesel. They discussed it a lot. They went to places, they talked, they ate, they went to places. At 50% point I knew I couldn't keep reading. Life was flowing out of me. I can't remember ever doing this, but I skipped. Yes, I skipped. I thought I'd just read the last two chapters to see if anything exciting was going to happen. And you know what? I skipped those last chapters, too!

By the end, there was a very lame action scene, some fire, and some more lame action that happened while our protagonist was unconscious and we saw nothing of that. I honestly think it was for the better. Reading Wicked Business, I felt like Miss Evanovich had a deadline, had to give a book to her publisher, so she patched up some words and sentences, and thought she had a book to publish and sell. I don't know how this book is a best-seller, along with other books by this author, but I know I will never in my life touch another Janet Evanovich book. Not even if my life depends on it. Just no.

How to Piss off a Writer

A short cautionary tale about what not to tell a writer, if you don't want to look like a fool.

Yesterday, I met with two friends, and during our chat about life, jobs, and dreams, one of them said to me, "I still can't believe you weren’t just talking about writing, but that you actually wrote books in English, and manage to make money."

"Yeah," I said. "I did it. But it requires a lot of determination and hard work."

 

"It does," said my other friend. "I once tried to write, but got stuck in the beginning and didn't know what I was doing."

"That's why you might need an outline..." I began when she said:

"I’ve got this great idea. Let me tell it to you and you'll finish my story."

Oh, no. No, no, no. Don't do this. Never ever. We don't need any more ideas, and we don't want to finish them for you.

"I'm not sure," I said, trying to sound as polite as possible. "You see, at the moment I've got 2 unfinished novels, 5 first drafts, 11 outlines, and 40 ideas for books."

"But this is such an outstanding idea," she insisted. "Let me tell you."

"OK, what's the genre?"

"Fantasy."

"Great," I said. "Are there dragons?"

"I don't really know. You'll have to think of that yourself. I haven't gone that far into the story," she said, and began telling: "So, the hero comes to this castle..."

"A castle! So it's a medieval fantasy?"

"Umm..."

"Set in the Middle Ages," I explained.

"No, it's our days."

"Oh, like Harry Potter fantasy?"

"Yes, but I had this idea long before Harry Potter came out."

Here we go, I thought, but said nothing.

"So, in this castle, the hero finds a room, opens it..."

"And appears in Narnia."

"Um, no," she said. I realized she didn't know what Narnia was. "He gets into a room where there is a huge ancient globe."

"Great," I said. "I love huge ancient globes."

"He touches the globe, it opens, and something comes out."

"What?" I asked in naked curiosity.

"I don't know," she said. "The rest you'll have to think yourself."

I stopped in the middle of the street, wondering if she was just making fun of me. "Is that all?"

"Yes."

"Your whole idea?"

"Yes."

"And you suppose I could make a book out of that?"

"That's an idea. You need to work on it and expand it."

"But that's not an idea," I said. "Just a very short scene, with a globe and something that comes out of it."

"Or the globe might be a lever that opens a secret door."

"A secret door?"

"Yes, in the wall."

"Oh, right," I muttered despairingly.

And then she probably realized I wasn't overwhelmed with her fantastic idea. "Never mind," she said. "No need to use it. I better keep my ideas for me and use them myself."

Please do, I thought.

And please, never do this. I know we think our ideas are the best and nothing else could come close or be as original, but we're wrong. Most of the time. We simply have to read 1-2 fantasy books to see that a globe in a castle is neither original, nor exciting. It could be, though, but it would need another 78,450 words to make it an exciting story about a magical globe with outlines of unfamiliar lands that occasionally gleam with silver light each time one of the globe’s portals is opened… But you’ll have to think of it yourself.

 And

My First Bad Review

You might remember that I was planning to start reviewing books and posting the reviews on my new website. Well, my website will be ready soon, but as for now, I’ll post my first review here. I'm not going to give negative reviews to fellow indie authors who will contact me for a review. My aim is to support the newbies, not spoil their book pages with negative reviews. But I'll post negative reviews to those books that I pick at random. And though I don't like it, but my first review is going to be a negative one.

I have to admit I’ve been fooled. Fooled by Amazon reviews. I have long stopped paying attention to reviews, because you never know if they are genuine or not, but this time I stumbled upon a book in the mystery section, which had more than 1000 positive reviews, and very few negative ones. And I thought it had to be something special. One click, and it smoothly appeared on my kindle. And after the first few chapters I had to force myself to keep reading. Sadly, I’m one of those readers who always have to finish the book. And then, I was genuinely curious why that book was so highly rated. It was a huge compilation of clichés and overused themes.

Here we go:

Title: Silent Scream

Amazon link: www.amazon.com/gp/product/B00S5K0CAU

The plot: the story begins with a woman's murder. A few seconds before she's killed she looks the murderer in the eyes (the murderer was wearing a mask) and recognizes her killer. Before I go on, let me say that when the murderer's identity is revealed I couldn't understand how that first victim recognized her killer. It was totally unbelievable. Investigation begins and we meet the protagonist, Detective Kim. A plain, unlikable character. But I’ll talk of the characters later. Then another murder happens. And then another. And slowly, that chain of murders goes into the past (10 years), to the night when something insidious happened at a girls' orphanage. A lot of minor inconsistencies bugged me, but there's one I want to mention. Bodies of murdered girls are discovered around the burnt orphanage. Somewhere in the book we learn that one of the murdered teen girls was pregnant. 20-25 weeks. Well, that's at least five months, right? Then, during the investigation it is revealed that no one knew she was pregnant. Let me ask how? How can you not see that a 15-year-old skinny girl is pregnant?

The characters: too many, all of them underdeveloped. Blurred. Sometimes I couldn't tell one from the other. None had a distinctive voice, none had a character. The protagonist was a beggar. Throughout the book she was begging for my sympathy. She had had a tough childhood, she had a psychotic mother, she had been living in foster homes. I’ve met a lot of characters with hard lives, but this one was begging me to feel sorry for her. And it made me feel less sorry, because her pain was artificial, meant to squeeze emotions out of me. You don’t force a reader to feel something. You tell the story and let the reader relate to the character.

The murders were supposed to be gruesome, and well, they were, but I was constantly told about it. How crazy the killer was, what a bastard, what a psychopath... So much that when the next body was discovered I already knew I would now be once again told how crazy the killer was. But he was a lame antagonist. The chapters with his inner monologue were boring and cliché-driven.

When the identity of the murderer was revealed, I couldn't care less. I was totally unimpressed. The first thing I thought was, "Yeah, and so what?" The antagonist should leave at least a bit of impact on the reader. But not this time.

The writing: amateur. Sometimes it read like a 2nd draft. Kim always felt everything with her gut, constantly nodded her agreement and nodded her thanks. Everything was galvanized. There was too much telling instead of showing. Throwing in some medical details and phrases to seem smart.

The POV: third person unlimited. It means that we don't just follow the protagonist (the detective) while she's solving the murders; we also see what every other secondary character does or thinks, and those chapters are very short, like movie scenes. This is a personal thing, but I don't like such short chapters that try to disclose why this or that secondary character did or said certain things. To me masterful storytelling is letting the reader see everything through the eyes of the protagonist while she’s discovering it all.

The narration: I’m still thinking about how to explain my thoughts and feelings on this. The narration was biased, one-sided. When the book is told from the 3rd person point of view I expect it to spare me the narrator's principles and views. Not here. I can understand the character's inner monologue, but I don't need the narrator to tell me who's evil and who's not. I don't need the narrator to tell me if the murder victims deserved death or not. I can decide it myself, if the narrator gives me enough backstory. There was a disabled girl in the story, and I lost the count of how many times the narrator told me that she was strong, that she was a fighter, that she was courageous. I hate being told of things. The few scenes with the girl were enough to show her courage, it didn't have to be shoved down my throat that she was disabled, but hadn't lost her vigor.
I think the book was been written in the 1st person POV, but the author had to change it later, to include the scenes with other characters' POVs. It would explain a lot.

And the clichés! A detective with a harsh past. Her loyal sidekicks (made of carbon). People connected by a shady past dying one after the other.

SPOILERS

Two killers acting apart. A character who, 60 seconds before dying, turns into a religious fanatic and begins mentioning God as his sidekick. OK, he was a priest, but that dialogue was so out of nowhere. It was like the author thought what else she could include in the book, then said, "Hey, what if he's not just a psycho, but also a religious fanatic!"

END OF SPOILERS

Also, there were missing words and commas, requiring me to read the sentences again to understand what they meant.

Overall, I’m not impressed with this book. It bored me to tears and made me roll my eyes not once. The twist wasn't bad, but I've already seen that same twist many times in Hollywood movies; it was just OK. And I wouldn't write so much if it wasn't so highly rated. Maybe it's me? If you look at my Goodreads page you'll see that I haven't been happy with my recent picks. Maybe it's just a black bar in my life, when I don't like anything I read? I have to admit I learned writing in English reading authors like Neil Gaiman, Stephen King, and George Martin. Few authors write like them. So maybe my expectations are always high?

It's hard to criticize a book when you're an author, too. There’s always the fear of being called a bad sport, being accused of envy. But I don't want to be a hypocrite and praise every book I read just because I’m a writer, too. While I won't post negative reviews for the books by newbie authors, I don't think that my negative review will harm a successful, established writer. Hence, this review. I didn't like this book at all, but I wish the author success and a million sales.